Showing posts with label play. Show all posts
Showing posts with label play. Show all posts

Staged Reading of "Family Affair" at East-West Players


Sunday, August 14 · 8:00pm

EAST WEST PLAYERS: THE DAVID HENRY HWANG THEATER.
120 North Judge John Aiso Street, Los Angeles, CA 90012

"FAMILY AFFAIR"
Written by Aurelio Locsin. Directed by Don Magwili.

Filipino-American LD and Anglo Kenny decide to break up their long-term gay relationship. LD’s family, who like Ken better than LD, are thrown into turmoil. Do they try to get them together or push for the separation?

Starring:

Noel Alumit
Melody Biutiu
James M. Dyer
Christian Estrada
Ronalee Par Miyasaki
Alden Rey

ADMISSION IS FREE but parking costs, unless you can find free street parking. (This is a staged reading, so no costumes, props or lights. Just some great acting and directing.)


The play was developed at the David Henry Hwang Writer's Institute, in the Advanced Playwriting Class taught by Prince Gomolvilas.
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Nissei Week will be in full swing, if you want to make a full day of it in Little Tokyo. There's also a very funny play reading before mine at 6PM, in the same theater:

SLICE by Paul Kikuchi

Set in 14th century Japan, struggling swordsmith KAI MATSUDA wants to forge the perfect samurai sword. Unfortunately, he’s on a tight deadline, lost his creative punch and trying not to think about FUMI TANAKA. A comedy about art, love and some serious banging.

Staged Reading of "Head Aches" at East West Players

June 26th 3 p.m. Reading

HEAD ACHES by Aurelio Locsin

Directed by Giovanni Ortega

Starring:

Robert Almodovar as Ricardo
Weslei Gabrillo as Carr
Alberto Isaac as Senior
Julian Clark as Denny
Christina Avila as Nina

Middle-aged Ricardo, a Filipino-American canine cop, wants to make peace with his son, wife, father and dog. Unfortunately, his coma makes communication impossible. Can the objects of his affection help him handle family, child-rearing, sexuality and love before it's too late?
All readings held at

THE DAVID HENRY HWANG THEATER
120 Judge John Aiso Street
Los Angeles, CA 90012
213-625-7000

FREE but $5 Suggested Donation.

Staged reading of "Marriage Monkey" at East West Players

MARRIAGE MONKEY by Aurelio Locsin
SUNDAY, June 28 @ 4:00 pm
Directed by Justin Fisher

In 1930s Los Angeles, Jun, a newly-arrived Filipino student meets Marjorie, a white co-ed at USC. Will their infatuation blossom into love and marriage or will racial prejudice and anti-miscegenation laws threaten their union?

Narrator/Assistant Director: Jeff Newman
Jun Roldan: Henry Chu
Marjorie Hirst/Nellie/Wife: Kerry Hennessy
Bert/Danny/Louis: Dante Basco
Nora/Gladys/Mum: Kate Di Rienzo
Bruno/Loverboy/Policeman/Johnny/Clerk/Owner/Judge: Eric Pierce

THE DAVID HENRY HWANG THEATER
120 Judge John Aiso Street
Los Angeles, CA 90012
213-625-7000

FREE though donations are welcome

Helltown Buffet Back On Track!

After some amazing clean-up by cast, crew, and an outside repair company, Helltown Buffet is back to its regular performances.

With fewer performances left, you'll need to make your reservations now if you want to catch the show. The production runs thru Saturday, October 18 at 202 N. Broadway, in Santa Ana. Show times are Friday and Saturday nights at 8:00 pm., with Sunday matinees @ 2:30 p.m. beginning September 28th. And one Thursday performance on Oct. 16 @ 8:00 pm. Tickets are $20 general admission, $15 for seniors and an inexpensive $10 for students with an ID.

Fire and Flood cancels Helltown Buffet Performances

Last Friday, September 26, the building in which Rude Guerrilla Theater is located suffered a late-night fire and sprinkler-system activation that flooded the lobby and "Helltown Buffet" set. This forced the cancellation of Helltown Buffet performances for that weekend.

We hope to resume performances soon.

Rude Guerrilla's co-Artistic Director, Dave Barton, gives details about the fire in his two blog entries, used here with permission. (I've added parenthetical remarks to describe the people.)

FROM DAVE BARTON'S BLOG

"OH, GOD........RUDE GUERRILLA IS BURNING DOWN!"

The phone is ringing at 6:00 am and the first thing I think as I'm startled awake is that someone has died. Fortunately, that's not the case.

Seems instead that there was a fire upstairs in the Empire Building where we rent our space. Sprinklers went off, flooded the second floor, which then poured through any available cracks in the flooring, down to our ceiling, creating an inch tall pond where Rude Guerrilla's stage and lobby used to be.

Firemen look on our website because there's no posted emergency number on our front door, fire alarms have gone off and water is flooding out the front door onto the pavement outside.

They see on the website that David Beatty (company member) is teaching an acting class, so they call him, wake him up and then think they haven't actually reached him, turn off their phone (they think) and put the phone in their pocket.

So the phone's still on, David's saying "Hello? Hello? Can anyone hear me?" as he hears fire engine alarms, hears someone shouting, "Get the ax! Smash in the door!" and he's thinking ""Oh, God...Rude Guerrilla's burning down!"

And as he shouts into the phone and hears the splintering of wood and the shattering of glass, he jumps in his car and calls Jay (co-Artistic Director) and then Jay calls me.

I show up fifteen minutes later.

Water is everywhere...the theater smells wet and it feels like summer in Miami: sticky and fetid.
The "Helltown Buffet" set is water-damaged and the bottoms of the curtains soaked, but only a handful of seats are wet, amazingly enough. It look so bad that I can only imagine what would have happened if the sprinklers inside our area of the building had gone off.

As I enter, in the darkness, a bright floor light stands amid the water, David is talking to a fireman and every mop, trash can and garbage pail is full of a brown, brackish liquid as burly guys in yellow pants sweep away the water.

The lighting grid is dripping and I rush to flip off the electricity that's still being sent to the light boxes before we get a spark and the lights short-out and explode.

I call our insurance broker twice (no answer), call the building's management office (closed), call their emergency number (answering machine) and call ServePro, whose job it is to come into water and fire-damaged areas and clean up. They're the only ones that actually answer and tell me someone will be there within the hour.

I call Jay back and fill him in. I call Dawn (Maintenance Manager) asking advice on how to repair the busted door. I call Aurelio and we laugh and decide that "Helltown" is now officially cursed. ServePro tells me that we're shut down for the next 2 to 5 days because of the damage and necessary repairs. Jay calls Sharyn (director and company member) and tells her that "Our Town" rehearsals will need to be somewhere else for the next few days.

Vicki (Treasurer) moves our planned Board meeting on Sunday to her apartment.

It's now 12:30 and I've been here for six hours...I'm exhausted as hell and have no idea what will happen next.

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WATER DAMAGE

Typing Sunday morning as the Servpro guys are punching holes in the dry wall to see if it's still wet.
Still wet, despite high force fans and dryers--as well as our heating system--on for the past 24 hours.
I'm waiting for the final verdict, but so far the answer seems to be yep, it's still wet.

I could tell that even before they got here...the reek alone as I walked in the back door told me that things were damp enough for there to be a mold concern.

And, as the building management told me yesterday, "We have insurance, so do what you have to."
So what I thought was going to take a half hour--with plans to then go to my last Board meeting for two months--means three hours and no Board meeting.

Instead...a MySpace blog!

Everything is currently being moved to the center--offices emptied, seats removed, platforms turned on their sides and it's looking like the bottom couple inches of each piece of drywall is going to be cut out and removed...

As someone who commented on the previous blog said...at least no one got injured (a good thing), the building has insurance (another good thing) and it doesn't involve our insurance so far (another good thing).

Let the mess begin.

Helltown Buffet review by KUCI's Keith Dillon

Review from Keith Dillon's broadcast at KUCI

Helltown Buffet, September 12th through October 18th, 2008.
A production of Rude Guerrilla Theatre, 202 N. Broadway in Santa Ana, Ca.
For tickets and information, call 714-547-4688 or log on to rudeguerrilla.org.

Halloween is here again. You can tell that by the plays being offered at the local theatres right now. Take, for example, Aurelio Locsin’s Helltown Buffet, currently running at the Rude Guerrilla Theatre in Santa Ana. Helltown Buffet is a tale involving a bitched-out succubus and her cruel-hearted demon assistant, an inept wannabe whose tendency towards romantic entanglements keeps him one horn short of full demonhood, a flamboyant coiffeur who cares not where he goes after death as long as he can dress people’s hair and an unassuming young Filipino-American boy who opens the local Hometown Buffet to murder in the name of love.

The first act of Helltown Buffet is as campy as they come. Long time Rude Guerrilla company member Aurelio Locsin gives us a first act that is a silly tale of demons and blood and epicurism. Much of it feels fairly routine, although the bit about making a buffet out of Hometown Buffet patrons is fascinating.

In Act Two, however, the play becomes beautiful. Mr. Locsin’s second act is spiced with Filipino culture. Upon his death, the play’s protagonist, Benjie, is sent to the Filipino sector of Purgatory. Mr. Locsin’s purgatory is racially segregated as it turns out. Act Two introduces traditional dances punctuated by jokes about life in America as a Filipino and funny little object lessons about the history of the Filipines. Benjie is brought back to the history that bore him. Even if he wanted to, Benjie simply cannot escape that history. His history, in fact, saves Benjie from his demon lover Paco who after all is still a demon, despite the sincerity of his affection.

Don’t kid yourself; Helltown Buffet at its roots is nothing more than Halloween camp. There is nothing profound about this play. Even as camp, it’s still a little too broad, a little too underdeveloped. The introduction of Benjie’s cultural history into the second act, however, makes it worth the ticket. I might add that on the night I came, several folks in the audience seemed to enjoy themselves throughout; all I can do is write my reactions. Anyway, the production is directed by Mr. Locsin himself; it is light-hearted and fleet of foot.

Especially notable among the cast is Alexander Price as the Etienne the hairdresser. Mr. Price plays his over-the-top hairdresser with enough wit and joy to keep his audience near tears throughout his entire performance. His explanation of the gates of purgatory is uproarious. Trina Estanislao’s Spirit is so disorientingly clueless that just about every line she speaks is a laugh line. Ms. Estanislao also dances her simple cultural dances with authority and affection. Ashley Jo Navarro is appropriately air-headed as Cloud. As Madame Loveless, Maggie Zamora is just a little too nice; Maggie, think Vanessa Williams from Ugly Betty. Rick Kopps, on the other hand, plays her assistant Grom with moustache-twirling joy. David Tran is cute as Benjie, whereas Brian Chayane Salero seems out of place as Paco Johnson.

The production is fleet of foot, requiring few sets. With the exception of a curtain running upstage of the action, the sets are walk-on units like palm trees, desks and such. The decorative items deliberately look like something from a nightmare Junior Prom. The sets are uncredited. Ryan Joyner’s lights are occasionally funny, especially at places like the gates of purgatory. Sarah Boros’ costumes are an interesting blend of Hometown Buffet uniforms, leather and traditional Filipino wear. The dances are choreographed with great care by Lee Samuel Tanng and the fights Jami McCoy are well done. Camp is the taste on Halloween. Helltown Buffet is very much to that taste, but author Aurelio Locsin has both the courage and the foresight to lace his show with his own traditions. Those traditions make Act Two a thing of authentic charm.

Indiana Jones and the Eternal Explanations

This is not a review for Indiana Jones and the Crystal Skull, though for the record, Harrison Ford (left) and Shia Laboeuf (right, channeling Marlon Brando in Wild One) couldn't unhash this rehash of the series plots.

This is about what over-explaining can do to an action film:

"Indy, we need to run from the bad guys."

"Yes, but first you need to know why they're bad."

"Indy, we need to find the source of the crystal skull."

"Yes, but did you know who made the crystal skull and why it's dangerous?"

"Indy, run. Now."

"Yes, look how that tribe recalls the splendor of the Mayan empire. Speaking of Mayans..."

But I'm the Rubbermaid calling the kettle container "Tupperware." My play Consent bogs down with similar yakking scenes. At the time, they seemed necessary, but now they're like C-Span documentaries gone wild. Especially with Indy's example on the big screen.

Out comes the virtual scissors. Cut, cut, cut those scenes.

Speed Racer Inspirations

This isn't a movie review.

Though I did love the film for its fast action and its heartfelt story. The film also proved highly original in its directing and look, and yet remained true to its anime roots in a cartoon I barely remember. Emile Hirsch was also adorable as Speed (below left), Matthew Fox was masculine and in-control as Racer X (below center), and Rain, an Asian superstar in his American film debut, was vulnerably and hunky as a racing teammate (below right).


This is about the retro-future look of the film, painted in strong, primary colors to help communicate points in the story. (Speed Racer always wears white.) Check out the scene below for the retro part.


Susan Sarandon's green and yellow dress and John Goodman's red polo shirt could be out of a sixties sitcom. The colors contrast with the brown divider cut-outs, blue walls, and tan stone of their ranch-style home. The composition screams family-friendly suburbia.

And the pic below is the future:

With neon, smoothly curved cars, and racetracks with strong lines adding speed and movement to an already-fast sequence.

The art direction is giving me all kinds of set ideas for my play Consent such as how to use certain shapes and colors to distinguish between this life and the afterlife, or how to divide good from evil. I don't want to get too specific with any ideas, since the final is all up to my yet unchosen set designer and costumer.

At least now, when they ask me, what you had in mind, I won't give my standard answer "Whatever you want."

Instead, I'll say "Speed Race, the movie."

Blurb for Helltown Buffet, formerly Consent


This advertising blurb for Helltown Buffet (formerly Consent) appears on the window monitor at Rude Guerrilla Theater.


This is a previous version of the blurb:





And here's an interpretation of the play by my niece, Sabrina Topacio.




Staged Reading of Consent

Can two Filipinos, a Hometown Buffet manager and his hunky demon seducer, fall in love through their real and imagined histories? This dark comedy propels them from Orange County to several afterlives, prompting encounters with a sexy demoness, a fabulous stylist, bewildered tribesmen, and talking trees. (Full production next year at the Rude Guerrilla Theater Company in Santa Ana.) WARNING: Adult language and situations.

My latest play, Consent, is having a staged reading in Los Angeles. It's directed by Alberto Isaac and starring Kennedy Kabasares, Michael C. Palma, Janellen Steininger, Tom Atha, Emily Kuroda, J. Stephen Brady, Elpidio Ebuen, and Michael Villanueva.

9:00 pm (second reading of the night)
Thursday, December 20, 2007
East West Players
120 North Judge John Aiso Street
Los Angeles, CA 90012

For a map and further directions, click here.
Parking in the lot next to the theater is usually free for readings. But if they're charging the usual $4, you can always park on the street. Most of the meters are off by 8pm.

The reading is part of the Reincarnation series of readings (download a PDF flyer) at the David Henry Hwang Writer's Institute.

Language of Their Own



Thirty-something, Chinese-born, Oscar, contracts AIDS and breaks up with his lover of four years, the American-born Ming, who is in his twenties. Oscar finds a new relationship with Daniel, a college-age Filipino, while Ming falls in love with Robert, a Caucasian head waiter in his twenties. Along the way, all four proceed on a lyrical and dramatic meditation on the nature of love, desire, sexuality, and self-definition as they come together and drift apart in a series of interconnecting stories. Orange County premiere at Rude Guerrilla Theater. Their website contains more pictures.
WARNING: Nudity and adult situations.

CAST


Ruffy Landayan
Ruffy Landayan
as Oscar
Nghia Luu
Nghia Luu
as Ming
Dennis TongDennis Tong
as Daniel
David Clark SmithDavid Clark Smith
as Robert

SHOW SCHEDULE

Apr 6 - Apr 28, 2007 on Fridays and Sat at 8pm .
Sun at 2:30pm.
Thursday shows on Apr 19, Apr 26.
NO SHOW ON EASTER SUNDAY (Apr 8).

$25 Opening Night Gala ticket includes champagne and munchies. For all other performances, tickets are $20 general admission, $15 for seniors and $10 for students with an ID.

Rude Guerrilla Theater Company, 202 N. Broadway, Santa Ana, CA. 92701 (view a map).

10% of the show's net profits will be donated to AIDS Services Foundation, Orange County (ASF)

We're looking for donations to support the production. If you have Paypal, click here:
Otherwise, send donations to RGTC, 202 N Broadway, Santa Ana, CA. 92701. Be sure to specify they're for "Language of Their Own."

CREW

Rachel Swetnam: Stage Manager
Jessica Woodard: Set Designer
Lindsey Suits: Lighting Designer
Shannon Lee Blas: Sound Manager
Alton "Doc" Cove: Composer
Sarah Boros: Costume Designer/Rehearsal Mistress
Jennifer Bridge: Board Op/Rehearsal Mistress
Jami McCoy: Fight/Stunt Choreographer
Anthony Foo: Window Designer

Producer: Sonja Berggren

Christmas Kisses

Part of the "Christmas Closet" series of short plays staged in 2005 by Rude Guerrilla, "Christmas Kisses" is the story of a young girl and her Christmas presents. It features Jami McCoy, Shannon Lee Blas, Barbara Gibbs, and Alex Walters, and was directed by Erika Tai.

More information and pictures are at the "Christmas Closet" page of the Rude Guerrilla website.

You can also read the reviews.

Asian Acting

A wild assortment of plays, dance pieces, and puppetry with a world premiere at RudeGuerrilla Theater in Santa Ana, California from January 7, 2005 to January 22, 2005. Note that some of the plays contain adult language and situations.

For a complete list of plays and reviews, click "Asian Acting" under "Plays" on the left. For more pictures, visit the Asian Acting page at the Rude Guerrilla website.

Directed by Scott Barber, Sharyn Case, Sara Guerrero, Steven Parker, Jody J Reeves, and Erika Tai. Assistant: Heather Enriquez. Lighting Designer: Dawn Hess. Artistic Director: Dave Barton
NEWSFLASH: "Asian Acting" nominated for 2005 Best New Play at the OC Weekly Theater Awards.

Dates
January, 2005:

  • 7, 8, 9 (Fri-Sun)
  • 13, 14, 15, 16 (Thu-Sun)
  • 20, 21, 22 (Thu-Sat)
Talkbacks on Jan 15/22 (Sat)
Location

Rude Guerrilla Theater Company
200 N. Broadway
Santa Ana, CA. 92701 (view a map)

Reservations (recommended): (714) 547-4688
Showtimes

Thurs-Sat: 8 pm
Sun: 2:30 pm
Admission

$20 opening night (Jan 7) includes reception.
$15/general. $12/students & seniors.
Special group rates available for 10 or more.

A portion of admission sales is being donated to UNICEF for the tsunami victims.

Asian Acting: American Express

Directed by Scott Barber. A short commercial visits the Thai sex industry.


Jon Apostol

David Cramer
David Cramer

Jenny Lee

Yuki Matsuzaki

Stephen Oyoung
Naoko Okamoto
Naoko Okamoto


Asian Acting: How China Diffused the Cuban Missile Crisis

Directed by Erika Tai. A Chinese spy brings a peaceful end to the Cuban Missile Crisis.


Peter Balgoyen
Peter Balgoyen
Keith Bennet
Keith Bennett
Yuki Matsuzaki
Yuki Matsuzaki
Erika Tai
Erika Tai

Asian Acting: Legend of the Banana

Directed by Sara Guerrero. A Filipino fable comes magically to life.

Peter Balgoyen
Peter Balgoyen

Jenny Lee
Marc Macalintal
Marc Macalintal
Yuki Matsuzaki
Yuki Matsuzaki
Stephen Oyoung
Stephen Oyoung

Asian Acting: Marriage Monkey

Directed by Erika Tai. A man fights for the right to marry outside his race.


Jon Apostol

Wendy Braun
David Cramer
David Cramer

Asian Acting: Midnight Maneuver

Directed by Jody J Reeves. A timid mom decides to stand up to the bigots in her neighborhood.

Naoko Okamoto
Naoko Okamoto

Asian Acting: Mrs. M's Tea

Directed by Sharyn Case. A Japanese-American woman sits down for a last cup of tea before going to an internment camp.

Keith Bennet
Keith Bennett
Trina Mendiola
Trina Mendiola

Asian Acting: Tongue Lashing

Directed by Jody J Reeves. A vicious predator discusses bloody thoughts.

Keith Bennet
Keith Bennett
Marc Macalintal
Marc Macalintal